Ometeotl Legacy
I want to
back in time to 1996 or 97, whenas one day I got some tapes from my Mexican
friend. And exactly Mictlan and their debut album “Donde habitan los muertos”
was one of these exotic tapes. I got to know this band from some zine review (“Tales
of the Macabre”) when I read some words about it: ‘good Mexican death metal
outfit’. So I took the tape and put it to the tape deck and… I was totally
shocked! After first careful listening I was sure as shooting that the review
had been wrong. Why? Because “Donde habitan los muertos” isn’t just a ‘good’
death metal album and I’m going to explain all the things.
I mentioned
about the tape, but now I am holding cd version released finally through the
mighty American Line. And the first fundamental sentence about this album: this
is completely underground offering. Mictlan plays technical death metal with
some folk elements. When somebody sees the front cover, some misleading
impressions may come to the mind. Is it a metal band? So this is first
surprise. The second one is Mictlan music which is in fact EXCELLENT!!! The
first song “Panoramas de Mictlan” is opened by pre-hispanic intro and after
1:47 my ears are attacked by Marvin Mendoza guitar riffs. And here I have to
write some explanations about production. It is very specific but in my opinion
it perfectly fits to the entirety. This is the first release of the band, the
musicians are self-confident and that’s good, because their skills are really
delightful. I like this kind of underground production when maybe sound is
rather ‘dry’, but a small disadvantage is a sound of drums in my opinion due to
too soft tunes of the drum-beat. The drums should be powerful and destructive
in death metal! Vocals of Manuel Chavez are sung in Spanish (great!) and he
proposes screams, shrieks and growls, he combines all the styles. The lyrics
are strictly connected with culture and beliefs of Mexicas and Maya. The
guitars are superb here. Only one guitarist with great riffs and leads and the
bass player who has a solo lasting whole album I think!
For in view
of this sounding, it is very hard to compare Mictlan to anybody else. Maybe
some fragments are similar to “Symbolic” Death (also released in 1995) mostly
because of complex music, amazing skills and great talent. It is very hard to
find such a band with pre-hispanic elements playing this kind of metal, so I can say about some
originality. Each song from the album is incredibly equal with very high
quality, there is impossibility to choose the best track, the one and only leader.
As I mentioned above first tunes of “Panoramas de Mictlan” carry me to the land
of the greatness of pre-hispanic indigenous nations. From the very beginning
the band shows all the aspects I wrote earlier and splendid solo lead ends the
track (during Marvin performance, there is no second guitar, so everything is
audible very good, especially bass guitar of Hector). The second song “La
leyenda de Coyolxauhqui” is opened by fine rhythm section, even some thrash
riffs are present when guitar enters the song. This song has many changes of
rhythm (but this is nothing new in Mictlan music), two beautiful guitars solo
(and again crushing bass guitar…) and powerful death metal riffs. Nothing new I
can write about the next song “Guerrero por conviccion” – once again the
changes of rhythms paralyze my senses (esp. very short moments when Marvin
stops to play), just like melodic riffs and splendid guitar solo. The fourth
track “El quinto sol” starts with some sounds of rain and thunderclaps, then guitar
strikes! Whole song I think is a show of Marvin, his guitar play is really
marvelous. This is METAL!!! After four minutes, “Gukumatz” is the next death
metal giant. This one is opened by wild Manuel scream and here I can admire
very complex offering of guitars, rhythm section and demonical vo-kills. This
really excellent song doesn’t let you go into the kingdom of boredom. The
pre-hispanic instruments are used here as well and it perfectly works. On the
end Marvin plays savage solos. “Ome” attacks with very interesting rhythm
section, also fine slowing downs are present. Good thing on live shows indeed. The
next-to-last song has the longest title and sounds “Estado consciente despues de
la muerte”. Hector and his bass is like a roaring fire, this track is a definition
of term ‘technical’ death metal - very difficult and broken structures with
very interesting guitar solo. What can I write more? Nothing, just listen to it
and worship this vivid piece of metal! After almost five wonderful minutes, the
last song “Autosacrificio (Tlacoquixtlilixtli)” is the longest one, with
pre-hispanic introduction - instruments and declamation in indigenous language (Nahuatl).
And this killing track is the essence of Mictlan style, of things I wrote
earlier. Moreover cd version contains of “Guerrero por conviccion” instrumental
version as a bonus track (howsoever I don’t think it is needful stuff here,
because it doesn’t bring anything new…) and video of “La leyenda de
Coyolxauhqui” plus some extra pictures.
The debut
album of Mictlan I consider as one of the best death metal masterpiece coming
from the land of Mexico. In addition beside of metal music, their subject
matter is history of Mexico before the conquest is also my interest since the
birth of the ages. The great thing is though I got this album many years ago, I
always discover something new, so “Donde habitan los muertos” is like a well
without bottom, it is really fascinating. This factor with excellent music
means that the final mark is almost ideal. Thanks to Joel Morales and his American
Line label that this album is available on cd which is in fact released very
good (by the way, the sentiment to the old tape is obvious), and I can proudly
put it on the shelf with title: “the best metal music”.
99/100
-Tlacaxipehualiztli
(previously written for Encyclopaedia Metallum, on April, 2011, now modified a bit)
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