Wednesday, February 5, 2014

XIPE TOTEC KALPUL - Xoxopantla (2009)

Bringing the Confusion to the Mexica Hearts


I paid my attention on this band for only one reason. A name. Yes, the deity of Xipe Totec is rather widely used amongst the metal musicians (four bands with such a name on the site), and now it is a good time to write something about the second release of Xipe Totec Kalpul. And though the name of release has its own roots in Mexica mythology, musically “Xoxopantla” is a very weak material. Mexicans perform black metal maintained in very simple (or better to write: primitive) way, of course it’s not a blame, but it is absolutely without any highlights or worthwhile elements. Yep, that’s right, their music has an original touch, as they are band using indigenous instruments. But beyond any doubt, incorporating such thing must fit to the whole, yet we are talking about metal stuff. And with this, I have a big problem. The opening song “Anahuakajotl” even some calm, interesting and promising tunes, is completely destroyed by a flute and its horrible, silly melody. Yes, I know, it is a folk, but in hopeless and wretched dimension. Riffs are played in a very typical way, yet they can create mediocre, but sometimes memorable and straight-forward layers of accessible riffs (in “Xipe Totec” and “Youali Ejekatl” songs), unfortunately, such production of guitars and drums makes absolutely no good to the sound and the music itself. It is rather impossible to find something really cool in this musical hurly-burly, but a real defeat is track called “Estlikiauitl”: one of the worst black metal song that I’ve ever heard. This pseudo-beast lasts six minutes, musically (again with horrible folk instruments and massive noisy outbursts of guitar sound) is a crime against my nervous system. Such a construction of the metal song is totally inacceptable: (black) metal music should be a machine that wounds a listener without mercy, here in this song, these Mexicans raped my senses only. And let me ask you: where is the black charm, where is the black harmony? You bring nothing to me, but a disastrous cacophony…

This record has three bonus tracks with completely rehearsal sound (to be honest, not bad at all), two of them are in demo versions (“Xipe Totec”, and “Estlikiauitl” sadly…) and the last one is an instrumental performance that brings some needful alleviation to my tired mind. And I ask myself once again: how can I find something interesting? Even if vocalist screams like a possessed, even if he uses sometimes almost death grunts, even if the band put two different kind of clean vocals (on tracks 1 and 2, but definitely it has to be improved), the whole seems to be a puzzle with too many blocks for the band. As I am a nice guy, I always try to notice in such releases a ray of hope, thus, writing the next songs in the vein of “Xipe Totec”, and “Youali Ejekatl” is necessary for Xipe Totec Kalpul due to promising guitar work, just like throwing away mostly useless and lame using of folk instruments. More power, more speed, more mutilating and slaying compositions with much better production will be a good (and only) thing for band musical development for sure. The band is rooted deeply in their national mythology, in pre-hispanic beliefs naming his music ‘Anahuak Mexihkajotl Black Metal’. So, guys, don’t offend your band mightful patron by releasing such rash sounds. Beyond doubt, everything should be corrected and improved here, as your music is a complete contrary to the culture of your country. 

25/100
-Tlacaxipehualiztli

(previously written for Encyclopaedia Metallum, on November, 2013)

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